Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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royal academy
Double portrait of General Richard Wilford of the British Army and his contemporary Sir Levett Hanson.

ID: 79734

royal academy Double portrait of General Richard Wilford of the British Army and his contemporary Sir Levett Hanson.
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royal academy Double portrait of General Richard Wilford of the British Army and his contemporary Sir Levett Hanson.


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royal academy

unknown artist, mid 19th century  Related Paintings of royal academy :. | The Mad Woman with a Mania of Envy (mk45) | The Favourites of the Emperor Honorius | Augusta van Saksen Gotha | Reading woman. | The Institution of the Eucharist |
Related Artists:
Victor-Jules Genisson
painted Interior of Westminster Abbey in 1851
George Adolphus Storey
(1834-1919), Painter was an English portrait painter, genre painter and illustrator. Storey was born in London, but educated in Paris. When he returned to London, he worked briefly for an architect before studying under J. M. Leigh and J.L. Dulong. Though not a pupil he was also encouraged by William Behnes the sculptor, whose studio he visited. He exhibited at the Royal Academy from 1852 and studied at the Royal Academy schools from 1854. He was strongly incluenced by the Pre-Raphaelites but gave them up under influence of Charles Robert Leslie. Storey worked in North London, establishing a reputation as a genre and portrait painter, and also as an illustrator. He drew elegant pictures of middle class people for love stories and the like. Storey became ARA in 1875 and was a member of the Arts Club from 1874-95. He exhibited at the British Institution, the Royal Society of British Artists in Suffolk Street and the New Watercolour Society. He also published his autobiography in 1899, containing valuable information about the St John's Wood Clique, of which he was a member until he moved to Hampstead. From 1900, he was also the Professor of Perspective at the Royal Academy, and became RA in 1914.
BASSANO, Leandro
Italian Mannerist Painter, 1557-1622 Son of Jacopo Bassano. He entered the workshop of his father when very young and soon developed a style of painting strongly based on drawing. Leandro used fine brushwork, with cool, light colours, smoothly applied in well-defined areas, unlike his father, who painted with dense and robust brushstrokes. From 1575 Leandro's participation in the workshop increased, and he became his father's principal assistant after Francesco Bassano il giovane moved to Venice in 1578.






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